Rick Ross God Forgives I Don 39-t Full Updated Album -

This album was released on July 31, 2012. I hope you enjoy the lyrics!

Chorus: Midas touch, I'm on a roll Got the game on smash, got the haters in a hole Midas touch, I'm on a mission Got the game in a freezer, got the haters in a vision

Upon its release, God Forgives, I Don’t debuted at number one on the Billboard 200, selling 218,000 copies in its first week. It was Rick Ross’s second consecutive number-one album (following Teflon Don ). Critics were largely positive, with Metacritic aggregating a score of 73/100. Rolling Stone praised its "widescreen ambition," while Pitchfork noted that Ross’s delivery was becoming "weary but wiser." rick ross god forgives i don 39-t full album

A Jake One-produced banger. Ross attacks the track with a chip on his shoulder, addressing the shooting incidents and his resilience. "I know the devil watching / But I'm just too high to see." It establishes the album’s aggressive opener.

A historic collaboration that serves as one of the album's crown jewels. Produced by Jake One, the track brings together three generations of hip-hop royalty. Dr. Dre delivers a rare, fierce verse, Jay-Z effortlessly glides over the soul-sampled production, and Ross holds his own alongside his legendary peers, proving he belongs at the table of titans. 4. Ashamed This album was released on July 31, 2012

: To balance the velvet smooth textures, the album delivers heavy-hitting, trunk-rattling street anthems. "Hold Me Back" (produced by Cardiak) features a repetitive, hypnotic chant and abrasive basslines that perfectly captured raw, unadulterated street energy, contrasting sharply with the album's more refined moments. Track-by-Track Highlights and Key Collaborations

When Rick Ross released his fifth studio album, , on July 31, 2012, the stakes could not have been higher. The Def Jam release arrived at a definitive peak in the rapper's career, following his critically acclaimed 2010 masterpiece Teflon Don and his iconic 2012 mixtape Rich Forever . It was Rick Ross’s second consecutive number-one album

The album serves as a cinematic, luxurious dive into Ross’s signature mafioso rap aesthetic, characterized by high-end production, soulful samples, and boastful tales of drug-dealing opulence.