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These actresses rarely looked directly at their male co-stars in moments of crisis. They looked slightly past them, or down at their hands. This submissive framing triggers a protective instinct in the audience.

Audrey Hepburn, playing a cloistered princess, experiences freedom for the first time on the back of a Vespa with Gregory Peck. The movement through the sun-bleached, softly focused streets of Rome captures a pure, unadulterated joy that became a blueprint for romantic comedies for decades to come. The Lasting Legacy of the Soft Aesthetic These actresses rarely looked directly at their male