Imog’s mouth tasted like copper. Around them, the room seemed to listen: the bulb hummed, the rain hushed, even the cassette’s spool turned with a patient, tiny grief. Imog had spent a decade tracing phantom releases, buying and rescuing anonymous pressings, building a map of music that had never been allowed an identity. People called her a collector. Others called her thief. She had a different name she used at night, one that no label could print.
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