The phrase encapsulates the struggle against inevitable misfortune, a staple of 1970s and 80s Turkish cinema.
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The phrase evokes the spirit of Yeşilçam, the golden age of Turkish cinema (1960s-80s). Back then, films like Neşeli Günler (Happy Days) or Hababam Sınıfı mixed suffering with slapstick. Modern creators are rebooting that energy for digital consumption. Back then, films like Neşeli Günler (Happy Days)
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Without digital syndication, physical celluloid copies of late-70s Turkish cinema would completely decompose.
By the mid-to-late 1970s, the Turkish film industry faced a massive financial crisis due to the widespread adoption of television. To survive, a large segment of Yeşilçam shifted toward producing low-budget erotic comedies and explicit adult films, a period historically referred to as the sex furyası .
