For After Effects users specifically, the lack of GPU-accelerated grain and the static grain behavior make 2.12 a legacy tool better suited for short-form content (commercials, music videos) rather than long-form VFX-heavy shots requiring camera movement.
| Camera Brand | Log Profiles Supported | Native ISO Mapping | | --- | --- | --- | | ARRI | Log C (EI 200-3200) | Accurate to ±1/3 stop | | RED | IPP2, REDlogFilm | Requires manual ISO match | | Sony | S-Log3, S-Log2 | Excellent (FS7, Venice) | | Blackmagic | Film Gen 4, 5 | Full support (Ursa 12K limited) | | Canon | C-Log 2, 3 | Good (R5C has minor magenta shift) | filmconvert pro 212 plugin after effectsprem best
Unlike generic color lookup tables, FilmConvert Pro 2.12 requires a (purchased separately). The plugin achieves fidelity via a non-public calibration process: For After Effects users specifically, the lack of