(sighs) This is a terrible idea.
The film uses a non-linear narrative, a choice that immediately grabs the audience's attention. It opens in the middle of a late-night car chase, where Driss is speeding through Paris in Philippe's Maserati. They are stopped by the police, and Driss cleverly tricks them. After the police leave, a cryptic line from Driss—"Now, you let me take care of things"—hints at a deeper purpose and the entire movie becomes a flashback, making the audience eager to discover how the pair ended up in that situation.
to the real-life story it was based on.
(sighs) This is a terrible idea.
The film uses a non-linear narrative, a choice that immediately grabs the audience's attention. It opens in the middle of a late-night car chase, where Driss is speeding through Paris in Philippe's Maserati. They are stopped by the police, and Driss cleverly tricks them. After the police leave, a cryptic line from Driss—"Now, you let me take care of things"—hints at a deeper purpose and the entire movie becomes a flashback, making the audience eager to discover how the pair ended up in that situation. Script Intouchables
to the real-life story it was based on.