In the last decade, Bollywood has fallen in love with the image of the “girl boss.” Posters featuring actresses in bold eyeliner and fierce stances scream messages of empowerment. Films like Gangubai Kathiawadi , Shabaash Mithu , and Chhapaak are marketed as modern feminist milestones. However, critics argue that this is often a superficial, “pink-washed” form of feminism.
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Similarly, the rehabilitation of music composer Anu Malik—who faced multiple sexual harassment allegations during the #MeToo wave—has sparked outrage. Filmmaker Mahesh Bhatt, who gave Malik work in 2025, defended the decision based on “creative instinct” and the belief that hardship shapes better art, ignoring the trauma of the accusers. Even trailblazers like Tanushree Dutta, who first named names in Bollywood, have reported continued harassment, alleging she has been “harassed at her home” since speaking out. In the last decade, Bollywood has fallen in
However, 2025 also proved that Hindi cinema is not down for the count. Blockbusters like Chhaava (₹808.7 crore worldwide) and Dhurandhar (₹740.8 crore) shut down the “South takeover” narrative, proving that a compelling, original Hindi film can still dominate the box office. If "babe press" refers to gossip media (e
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