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In the 2010s, a new generation of filmmakers, writers, and actors triggered a cinematic renaissance often termed the "New Generation" wave. Filmmakers like Dileesh Pothan, Lijo Jose Pellissery, Mahesh Narayanan, and Jeethu Joseph brought a hyper-realistic, technically sophisticated approach to filmmaking.

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The year 2010 marked a seismic shift with the arrival of the , often called the "New Generation" cinema. Driven by grassroots filmmakers, this movement has radically reshaped how Kerala stories are told. In the 2010s, a new generation of filmmakers,

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Despite its realist pretensions, the industry faces internal contradictions. Caste representation remains skewed: while Dalit characters appear frequently (e.g., Perariyathavar ), Dalit directors and writers are almost nonexistent. The industry’s response to the 2018 Women in Cinema Collective (WCC) sexual harassment revelations was defensive, revealing a gap between on-screen feminism (e.g., Mili , June ) and off-screen patriarchy. Furthermore, the rise of OTT platforms has led to a bifurcation: theatrical releases increasingly favor violent, machismo-laden entertainers ( Jailer , Leo —though Tamil imports), while streaming hosts nuanced, slower-paced Kerala dramas. This split threatens the unified cultural identity the cinema once represented.