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Post-WWII media used the femme fatale to process the anxiety of men returning from war. Women had entered the workforce and tasted independence. The predatory woman in cinema symbolized the fear that women would no longer accept traditional domestic roles. The Thrillers of the 1980s and 1990s Women had entered the workforce and tasted independence
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By taking on the predatory role, these characters take the power of the "gaze" away from men. The woman is the viewer, the hunter, and the decision-maker.
Before we can analyze the modern predator, we must acknowledge her ancestor. The classical femme fatale (e.g., Phyllis Dietrichson in Double Indemnity , Kathie Moffat in Out of the Past ) was a predator of the bourgeois order. In a post-WWII society terrified of female independence, these women preyed on male weakness. Their predation was transactional: sex for security, intimacy for inheritance.