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Modern cinema has abandoned the myth of the seamless blend. In its place, we have a new grammar: partial custody, half-siblings who are strangers, step-parents who are “my mom’s husband, not my dad,” and exes who show up for Thanksgiving.
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When families blend, children are often forced into new roommate and sibling dynamics without their consent. Modern filmmakers excel at showing the multi-layered emotional world of these children. Modern cinema has abandoned the myth of the seamless blend
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