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Across these case studies, a common theme emerges: the erosion of traditional boundaries. The boundary between information and entertainment dissolves in true crime (actual victims as drama). The boundary between cinema and serialized television dissolves in the MCU. The boundary between creator and consumer dissolves on TikTok. Entertainment content is no longer a secondary cultural product; it is the primary lens through which many understand justice, storytelling, and social reality. The economic imperative of engagement—maximizing screen time—drives both the mirroring of extant desires and the molding of new, more consumptive habits. This public link is valid for 7 days