La Vitalis- Immortal Loss -v0.11 Beta- -b-flat- -

Having spent her entire life isolated in rigorous academic and alchemical study, Vita lacks any semblance of a social life or personal relationships. Her singular focus is tracking down the source of the plague to engineer a cure.

Gift membership. BflatProject. 99 posts. Become a member. Become a member. See membership options. Home. Chats. Hello, I'm B-flat. BflatProject | Patreon La Vitalis- Immortal Loss -v0.11 Beta- -B-flat-

The roadmap posted by S. Lacroix suggests two more betas before the full v1.0 release. Following the musical theme, the next update (v0.12) is tentatively titled which will represent a "false hope" arc. After that, v0.13 will be the "Fortissimo" update, focusing on the game’s only action sequence—a ballroom duel. Having spent her entire life isolated in rigorous

+-----------------------------------------------------------+ | Gameplay Loop | +-----------------------------------------------------------+ | | | [Exploration] --> Discovered Ruined Alchemical Labs | | | | | v | | [Soulslike Combat] --> Tactical Melee & Dodging | | | | | v | | [Defeat/Capture] --> High-Stakes Consequences | | | | | v | | [Alchemical Upgrades] --> Stat Boosts & Plague Serums | | | +-----------------------------------------------------------+ 1. Tactical, High-Stakes Combat BflatProject

For the uninitiated, La Vitalis: Immortal Loss is a gothic horror-romance visual novel set in a crumbling, anachronistic European city. The player assumes the role of a mortal artist who has been accidentally turned into a "half-immortal" – a being capable of perceiving the memories of others through physical touch, known as The title itself is a clever double entendre: "Vitalis" represents life and vitality, while "Immortal Loss" refers to the paradox of living forever while losing the ability to form lasting, mortal connections.

Optimization of Vita's movement dynamics, allowing smoother recovery times during dodge-rolls and more predictable directional slicing during airborne attacks.

La Vitalis did not revert to its old ease overnight. The city learned humility toward its treasures. People still visited the Wells, but they came with hands ready to weave: to sing the immortal B‑flat into new songs, to let a perfect afternoon be a motif rather than an anchor. Mirelle kept a small loop of her grandmother, a single warm phrase, and every year she played it once during the kinship festivals, then tucked it away anew.